Prism
Dec
12
to Dec 14

Prism

Hivewild presents PRISM
An evening-length work in collaboration with Wardell Milan & Rowan Spencer. Choreographed by Katherine Maxwell, founder of Hivewild. Danced by Matilda Sakamoto, Georgia Usborne, Robyn Ayers, Sean Rosado, Xenia Mansour, Selina Shida and Alex Vargas.
December 12-14 at CPR- Center for Performance Research

Photo by Travis Hackett

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The Michaels
Oct
19
to Nov 24

The Michaels

Tony Award-winning playwright/director Richard Nelson returns to The Public with the world premiere of THE MICHAELS. Part of Nelson’s critically acclaimed RHINEBECK PANORAMA, which includes The Apple Family and The Gabriels, this new drama places the audience directly into the kitchen of Rose Michael, a celebrated choreographer. Dinner is cooked, modern dances are rehearsed, and the meal is eaten — all amidst conversations about art, death, family, dance, politics, the state of America, and how the world sees our country... and a host of everyday questions that make up the richness of ordinary life.

With grace and depth, Nelson once again creates an intricate, moving snapshot of modern-day America. Laced with humor and heartbreak, THE MICHAELS is a beautiful new play, illustrating the rich humanity within the incidental moments of one day.

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The Stone - Residency
Jul
10
6:00 PM18:00

The Stone - Residency

ORIGINALS—Music and curation by Pauline Kim Harris, Melanie Genin (Harp) The Bang Group (Percussion) Dongmae for Mixed Ensemble (2017) Sugar for Two Violins (2018) D Major for Oboe, Clarinet, Bassoon, Horn (2011) Music for 3 Tap and 3 Toe Shoes (working title) [WORLD PREMIERE] Trilogy for Harp (Parts 1/3) [WORLD PREMIERE] I. Solo Harp III. Toy Symphony for 14 instruments + conductor


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Nick Mauss: Transmissions
Mar
16
to May 14

Nick Mauss: Transmissions

  • Whitney Museum of American Art (map)
  • Google Calendar ICS

For his first solo museum exhibition in the United States, artist Nick Mauss (b. 1980) presents Transmissions, a multidisciplinary work exploring the relationship between modernist ballet and the avant-garde visual arts in New York from the 1930s through ’50s. Over the past decade, Mauss has pursued a hybrid mode of working that merges the roles of curator, artist, and scholar. At the Whitney he brings together his own works, alongside historical photographs, sculptures, paintings, drawings, film and video from the Whitney’s holdings and those of other public and private collections—all presented within a layered exhibition design by Mauss that allows for the works to be seen in a new light.

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